limit experience
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Watching David Lynch’s first film, Eraserhead, in a 1980s vintage West Los Angeles theatre was a paradigm shifter. For a twenty-something from the rural American South, a heightened sense of boundless creativity soaked into me in that threadbare movie house and changed my newly acquired urban trajectory. Lynch’s connection with the fecund space of infinity…
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When I left South America the gates to the world were opened to a post-pandemic United States. I stepped off the plane with the intention of rediscovering my country. People were still socially distanced, an after-shock we all went through as we continued to engage in six feet of space between us. Whereas when I…
